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The Vanguard conferenceis anexperiential urban leadership gathering of the best and brightest young urban leaders working to improve cities across sectors, including urban planning, community development, entrepreneurship, government, transportation, sustainability, design, art and media.

Vanguard

Vanguard 2018 – New Orleans

Next City’s annual gathering of the best and brightest rising urban leaders will meet in New Orleans, Sept. 12-15, 2018.Vanguard will be run by Next City and the host organization NOLABA , the official economic development agency for the city of New Orleans. Find out Sale Store Cheap Low Shipping Fee Leo Mini in Baby Blue size L also in MSXLXSXXS Lovers Friends Cheap Sale Visit For Sale Discount Sale Discount Best Wholesale 43R0yYr
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for details on Vanguard 2018 sponsorships. Sponsoring Vanguard demonstrates a commitment to urban revitalization, while providing opportunities to connect with high-caliber urban professionals from around the world.

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What Vanguards are Saying

“Vanguard Newcastle was an amazing experience. As an engineer, it was important for me to see how urban designs are seen from the community’s perspective. I left Vanguard with new knowledge and life-long friends.” Lecturer, Department of Civil and Environmental Engineering, The University of Auckland

Subeh Chowdhury, PhD, BE(Civil)

“Vanguard gave me a new perspective on urban affairs and re-affirmed the need for diversity in thought and lived experience in the urban affairs field.”

Sustainability Liaison, District of Columbia Housing Authority

R. Denise Everson

“The Vanguard Conference was wonderfully exhausting and equally rewarding. The flood of new information and bold ideas has reinforced my passion for my own work and for my vision and passion for cities.”

Director of Special Projects and Civic Investment, Health Hospital Corporation

Michael Kaufman

“Exploring the intersectionality of culture, arts, science, urban planning and the like as a Vanguard is compelling and intensely invigorating. It's an explosive kick of robust learning and sharing that challenges perspectives all the while seeking out creative and tangible solutions for the todays of tomorrow.”

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Presents

By Russell Goldenberg Matt Daniels

Russell Goldenberg Matt Daniels

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ps. there’s explicit content audio

Example: Casablanca

Scene 1

The three act structure

Act 1

setup

Act 2

confrontation

Act 3

resolution

More story structure

One-liner jokes Setup Punchline

Film / TV Show

Mitch Hedberg

Laughter Climax

One-liner jokes

Film / TV Show

Here is every line from Ali Wong’s stand-up comedy special, .

We’re going to explain why her hour-long routine is so great.But first, know that you can on the right to skip forward. Try it! you can click on the right to skip forward. Or use the keyboard. < >

Nice! Ok, back to Ali Wong’s comedy special...

We noticed something special about 50 minutes into the show.

Each marks noticeable audience laughter. The circle size denotes how long the audience laughed.

In fact, this moment had the most laughter in the entire show. We’ll call it the “laughter climax.”

Why was this moment so funny? After dissecting it, we’re going to show you how form—the structure of the entire routine—played a big role.

We discovered this when we set out to understand the laughter climax.

First, we looked for the beginning of the story that triggered it. With its starting point, we could see how the story developed into the biggest laugh.

The laughter climax is about conception. We worked our way backward to see how she arrived at that topic.

The punchline about conception was preceded by a reference to being a hippy, which was preceded by a description of a man’s face during orgasm.

We kept working backward, and we ended up slicing the entire routine into self-contained topics, yielding a map of all subject matter in the comedy special.

Yet when looking at the entire routine, we noticed that some of these topics weren’t so separate. For example, let’s examine the first three minutes of the show.

She has a whole digression about HPV that’s divided into three parts: everyone has it, men don’t get it, and Ali’s experience at the doctor.

But the reason she got to the topic of HPV was because of her difficulty falling asleep.

And the reason she is talking about falling asleep: she’s jealous of other women who can fall asleep, as well as their metabolism and inner thigh clearance.

Generally, a comedian’s stories will flow from one to another, but there’s often no collective “point” The outcome of an hour-long stand-up routine is different from other long-form compositions (e.g., films, books, plays).

But if you take a step back, Ali’s routine is structured around three cohesive ideas: getting older, marriage, and pregnancy.

Let’s put this into context. If you’re studying theatre, literature, or film, you make sense of the work by breaking down its plot or form.

In film, for example, the smallest, irreducible unit is the “beat,” described by screenwriting instructor Robert McKee as “an exchange of behavior in action/reaction.”

Those small pieces—the beats—build a scene...

...and scenes build an act. We analyze the division and subdivision of a story to understand what it’s about.

And we find that we can do this with Ali Wong’s routine. Unlike some stand-up, it adds up into something bigger. She’s telling not just 100 individual jokes, but a story that is deliberately arranged, much like a comedy film or a TV series.

We can think of comedy as a spectrum, from one-line jokes to a feature film.

As we move from left to right, we have more topic continuity and use of structure. The humor requires and builds off of context.

Ali Wong’s stand-up is closer to the right of this spectrum, relying less on one-liners and more on form-driven humor. It helps makes her routine great, and the jokes hit for different reasons than we sometimes expect in stand-up. The laughter climax is one example of this.

Let’s zoom in again on the laughter climax to see why.

We can tie this punchline to a larger three-minute story about making babies.

It also “calls back” to three other topics from earlier in the routine.

The laughter climax is For 50 minutes, Ali has built a universe, with each joke expanding the audience’s understanding of her world-view.

The laughter climax connects the major themes of her routine, from how she met her husband to her philosophy on working. When the punchline hits, the seemingly disparate stories snap together.

You get the same feeling when reaching the end of a great Seinfeld episode or any multi-plot story—the delight in seeing all the plotlines converge into one (and realizing that the storyteller was crafting a deeper idea all along).

Screenwriting educator devotes a large part of teaching to story structure. Screenwriting is not about the exact words said (i.e., the jokes) but the pattern of events and the meaning behind them. For example, here’s a point about structure that he makes in screenwriting bible ...

“If, however, we were to put the content of their films aside for the moment, and study the pure patterning of their events, we’d see that, like a melody without a lyric, like a silhouette without a matrix, their story designs are powerfully charged with meaning.”“Stripped of its surface of characterization and location, story structure reveals his personal insight into the deepest patterns and motivations for how and why things happen in this world––his map of life’s hidden order.”

This is what we get when stand-up isn’t just joke after joke after joke.

The structure of her routine leaves us with something more, much like a film short or a play would. Her hour-long show is different because we see her world-view. We understand her experience being pregnant.

We learn Ali’s “map of life’s hidden order.”

Metholodogy: The data for this story was hand-collected with additional effort from Amber Thomas and Denim Blouse Spring/summer Faith Connexion Outlet Fashion Style ruxf1P2m9
. We converted the captions to csv format, individually annotated the entire routine, then collectively reviewed and merged into a single data set. Title art by Jason Wong . Get in touch: [email protected] / Long Logo Printed Dress Yohji Yamamoto Visit New Ej6mjF3BU
or [email protected] / .

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occurs when the hollow spaces around the nasal passages are inflamed. Chronic sinusitis is sinusitis for 12 or more weeks that does not respond to medical intervention.

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Another bank source told the Observer that Clinton’s motivation in purposefully overcharging donors is not only to rake in more money for her campaign but also to inflate her small donor numbers reported to the FEC. “This gives a false impression about how much money Clinton has raised,” the source said. “The money that the bank has refunded would not be reflected in the FEC filings till after the election. This gives off the illusion to the public that her support and the amount she’s raised is much greater than what it is in reality.”

A Clinton campaign worker named Kathy Callahan, who worked on Clinton’s presidential campaign in 2008, claimed in a blog post that Clinton fraudulently overcharged her by several thousand dollars. She wrote that she voluntarily left the campaign’s finance committee after she discovered $3,000 in unauthorized charges made by Clinton’s campaign to her Visa card. Callahan said the unauthorized charges caused $400 in overdraft and bank charges and put Callahan over the legal donor limit. Callahan said that after a month of “begging and pleading,” she wasn’t able to get her money back until she threatened to go to authorities. However, when she was finally refunded her money the Clinton campaign refused to compensate her for the $400 in overdraft and bank charges.

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In 2001, the Clintons were accused of attempting to steal items donated to the White House during Bill’s presidency as he exited office. There was $190,000 worth of gifts in question that the Clintons shipped to their then new estate in Chappaqua, New York. Multiple donors said that they had understood that the items they had donated during Clinton’s presidency were to stay in the White House as part of the 1993 White House redecoration project. Initially, the Clintons claimed that the items in question were given to them prior to President Clinton taking office; however, government records proved otherwise. Facing strong criticism, the Clintons decided to return several items including $28,500 in furnishings and they paid $86,000 for other gifts.

Murmurs of theft are nothing new to the Clintons. But Bill begs to differ.

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to Robin Hood and said that through their foundation he asks people with money to give to people who don’t have money. In reality, the Clintons steal from people who have little money and they’re robbing some of Hillary’s most impoverished supporters—including a poor elderly grandma—to fund her campaign.

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